Samsung announced that its 8K QLED TV, the Samsung Q900, will be available for pre-order in the UAE starting today.
Samsung first unveiled its 8K model at IFA 2018, but left us in the dark on its release date and price. Now we have that for two screen sizes- the 75-inch with the model QA75Q900RBKXZN is for AED 24,999 while the 82-inch with the model QA82Q900RBKXZN will be retailing for AED 31,999.
If you think that’s a lot of money, well, there is a 98-inch version for which we haven’t gotten the prices just yet but it would probably cost as much as a car. Thankfully, there is a 65-inch model as well which we’re hoping is a bit more affordable.
Features for Samsung 8K TVs
The Samsung Q950R offers an astonishing picture. The highlight is of course native 8K content, and during the demo showcase we saw the screen at, we were blown away by the quality of its color reproduction, brightness and motion processing.
Using Samsung’s QLED technology, it’s pushing insane brightness levels of up to 4000nits, with a Direct Full Array backlight letting refined brightness and contrast management bring real depth to a scene.
This year’s model also introduces a new “Ultra Wide Angle” feature that aims to prevent color and contrast drop off if you’re viewing the set at a tighter angle. However, where the screen definitely shines is in its upscaling using Samsung’s Quantum Processor that helps the TV upscale content from any resolution.
There’s also Bixby and Samsung SmartThings integration along with Ambient Mode and remote connectivity to your computer.
There’s no doubt the Samsung 900 series is expensive, but being on the bleeding edge of technology – especially display technology – isn’t cheap.
Respawn Entertainment finally revealed the first official Star Wars Jedi: Fallen Order trailer during this year’s annual Star Wars Celebration event. And while the official reveal gave us a lucrative taste of Jedi: Fallen Order’s storyline, Respawn was a bit sketchy on details surrounding the title’s actual gameplay mechanics and how combat would work.
During the Jedi: Fallen Order panel, Respawn teased that the game would require “thoughtful combat”, but what exactly does that mean? Well, thanks to a follow-up interview, we may have a better idea.
Speaking to Press Start, game director Stig Asmussen and director of franchise content and strategy for the Lucasfilm Story Group, Steve Blank revealed Jedi: Fallen Order’s combat will require a bit more strategy and patience than your typical single-player title.
“It means you really have to understand not only the enemy that you’re going up against, but the group of enemies, and they each have their own strengths, and they each have their own weaknesses,” Asmussen told Press Start. “You have to figure out what tools that you have in your skill set to best take them down.”
While this may conjure thoughts that Jedi: Fallen Order will be in the same vein as the Soulborne series (without the difficulty) – and those games did have an influence to some degree – Respawn found true inspiration from games such as Zelda and Metroid.
“If you look at a game like Zelda Wind Waker, as you get different abilities, each enemy is crafted in a certain way, or even Metroid,” Asmussen continued.
“The enemies are crafted in a certain way that once you upgrade, you can think about how you’re going to approach them differently, and maybe they aren’t as big a challenge as they were at one point.”
So, we can expect a progressive system rather than a simple hack n’ slash? That sounds like the Star Wars game we were looking for…
Formula One can be electrifying, but the sport has reached a period of marginal gains; designs and strategies are so refined, we’re unlikely to see any major changes to cars or races in the foreseeable future. So what can you do to increase the thrill?
Australian engineering company Alauda Racing believes it has an answer: taking races above the track with low-altitude aircraft that can tear around the circuit at up to 200kmph.
Alauda Racing has designed a manned craft that’s part racing drone, part F1 car specifically for the new sport. The Airspeeder is fully electric, with a 500kW battery, a carbon-fiber chassis, and the ability to take off and land vertically.
Ready for takeoff
This isn’t just a concept, either; the Airspeeder will be debuted at the Goodwood Festival of Speed in July, and manned flights are beginning this year.
The Airspeeder World Championships are scheduled to launch in 2020, with five teams of two pilots competing for the grand prize.
“Transport is changing, and motoring is becoming more than two-dimensional,” says Matt Pearson, founder of Alauda Racing. “Just like traditional motoring, flying cars need a forum to push the technology further. What better way to achieve this than by creating a global flying car series, the sport of this century, the future of motorsport.”
The World Snooker Championship for 2019 is here and you can watch the tournament in various ways on different devices, all for free. We’ve got all the details you need including dates and TV channels.
Last year Mark Williams pulled off a major shock by defeating John Higgins 18-16 in the final. At the age of 43, he became the second oldest winner in Crucible history.
For 2019, the winner will be get £500,000. With the total prize fund of more than £2m, it’s the largest ever at a snooker event.
When is the Snooker World Championship 2019?
The tournament will start on 20 April and concludes on 6 May with all matches being played at the Crucible Theatre in Sheffield.
Here’s an overview of the schedule and dates:
20-25 April – First round (best of 19 frames)
25-29 April – Second round (best of 25 frames)
30 April-1 May – Quarter-finals (best of 25 frames)
2-4 May – Semi-finals (best of 33 frames)
5-6 May – Final (best of 35 frames)
How to watch Snooker World Championship on TV and online
The BBC is showing full coverage of the tournament which means you have a wide range of options when it comes to watching the action.
There will be live coverage every day on either BBC One or BBC Two and you can check which channel you need . All late night highlights shows will be shown on BBC Two.
Since the coverage is on BBC, you can use the on all kinds of devices to watch online and for free.
Watch outside the UK
If you don’t happen to be in the UK, then you can still watch on the BBC using a VPN. This is a virtual private network and allows you to access content that would otherwise be blocked because of your location.
We recommend NordVPN but you can check out other options here. Once you’ve chosen and installed a VPN, select the UK then use the iPlayer as normal. Read our more detailed guide here.
This time of year means many things to many people. It’s about chocolate and jelly beans. It’s about colored eggs. It’s about bunnies and baby chicks. It’s about Passover and telling stories. It’s about re-birth and springtime.
Or it could be about watching movies about these and similar subjects. We’ve selected a dozen (like eggs!) great movies to stream for any kind of Easter, Passover, or Springtime mood. Enjoy!
Cool Hand Luke
★★★★☆
On Netflix
Stuart Rosenberg’s Cool Hand Luke (1967) isn’t an Easter movie on the surface, until you consider the famous scene in which Paul Newman’s unflappable title character bets he can eat 50 hard-boiled eggs in one hour. (Some critics have found Christ and rebirth themes in the sequence, which is good enough for our purposes.) In any case, this effortlessly entertaining American classic about men serving time in a rural prison and working on a road crew still holds up many decades later, thanks to a combination of strong talents.
Rapscallion Newman gives one of his most appealing performances, while George Kennedy won an Oscar, Strother Martin and Jo Van Fleet steal their scenes, and Harry Dean Stanton, Dennis Hopper and Joe Don Baker fill things out. Conrad L. Hall’s magnificent widescreen cinematography feels scorched and heavy with sweat, and Frank Pierson and Donn Pearce’s screenplay is filled with quotable nuggets.
Easter Parade
★★★★☆
Rent from Vudu, iTunes, Google Play… $1.99 and up
This isn’t the greatest musical ever made, but, aside from Hop, it’s one of the few Easter-themed movies, and its general sunny pleasantness is hard to resist on an Eastertime spring day. Charles Walters’s Easter Parade (1948) is essentially a love quadrangle, starting with Fred Astaire, as Don, a Broadway star who loses his partner Nadine (Ann Miller), when she seeks a solo career, as well as the romantic company of Johnny (Peter Lawford). A dejected Don hits the bar and makes a bet that he can turn the next girl he sees into a star. That would be the resplendent Hannah (Judy Garland).
The rest of the movie concerns these two lunkheads realizing that they’re in love. Walters wasn’t big on visual flair—see Judy Garland’s movie with director Vincente Minnelli, The Pirate, released the same year, for that—but the Technicolor is nice, and Irving Berlin’s songs are irresistibly smile-inducing.
The Gospel According to St. Matthew
★★★★☆
On Amazon Prime, Fandor, Hoopla, Tubi TV
Many critics consider Pier Paolo Pasolini’s The Gospel According to St. Matthew (1964) to be the greatest movie about Jesus Christ ever made. Pasolini was an avowed atheist who decided to tell the story with as little fanfare or pageantry as possible. Thus, the final film is almost documentary-like, with unremarkable black-and-white cinematography and minimalist, almost amateurish performances. But the dialog, taken directly from the gospel, is still inordinately powerful (it’s amazing how many phrases from Matthew are still used regularly today). Better still, Pasolini manages to capture Christ’s fascinating inconsistencies, his words ranging from compassionate to demanding.
The powerful score is by Luis Bacalov (Django, Il Postino). Amazon Prime, Hoopla, and TubiTV offer both a colorized, edited (91-minute), dubbed-into-English version of the film, as well as the full-length (135-minute), black-and-white, Italian-language version. Tubi TV’s full-length, black-and-white version is dubbed into English. Fandor offers the subtitled, uncut version, only.
Harvey
★★★★☆
Rent from Amazon Prime, Vudu… $3.99 and up
Here’s a movie about a bunny, although this one is more than six feet tall, invisible, and does not deliver eggs or candy. Even so, it’s an Easter favorite for many families. Adapted from the Pulitzer Prize-winning play by Mary Chase, Harvey (1950) stars James Stewart as Elwood P. Dowd, a pleasant, likable eccentric who likes to introduce everyone to his “pooka,” Harvey, an invisible human-sized rabbit that hangs around all the time. Since Elwood buys extra drinks at the local bar and is friendly enough, nobody bothers about this situation. But Elwood’s sister Veta (Josephine Hull, who won an Oscar) can’t tolerate it; she wants her daughter Myrtle (Victoria Horne) to marry into society and is afraid that Elwood’s antics will hurt her chances.
Whatever this sweet movie lacks in artistry it makes up for in its still-relevant messages of tolerance and kindness. This movie was a big comeback for Stewart, whose career had sputtered after his return from WWII.
Hop
★★★☆☆
Rent from YouTube, Vudu, iTunes… $2.99 and up
One of a very few feature films about the Easter holiday (specifically, bunnies and jelly beans and colored eggs), Hop (2011) is often a little too obvious and a little too slapsticky—it’s from the director of Garfield: A Tail of Two Kitties and Alvin and the Chipmunks—but it’s also bright and cheerful and pretty easy to like. Russell Brand voices the young bunny E.B. who would rather be a drummer than take over for his retiring father as head Easter Bunny, and James Marsden plays a human who spotted the real Easter Bunny as a kid.
The combination of real-life and computer animation is fluid and seamless, and the candy-making scenes are delightfully mouth-watering. David Hasselhoff has a funny cameo, hosting a talent-search show. Hugh Laurie provides the voice of the elder Easter Bunny, and Hank Azaria is the voice of an Easter Chick with nefarious plans. Kaley Cuoco and Elizabeth Perkins are among the human cast.
The Last Temptation of Christ
★★★★★
On Hoopla
The huge controversy that surrounded Martin Scorsese’s The Last Temptation of Christ (1988) when it was first released has by now turned into a footnote. What remains is the filmmaker’s glorious and deeply-felt cinematic achievement, certainly one of the best religious films ever made. Based on a novel by Nikos Kazantzakis, and adapted by Paul Schrader, the film depicts Jesus (Willem Dafoe) as a mixture of god and human, a man who felt desires and doubts. He even imagines what it might have been like to give up his calling and share a life with Mary Magdalene (Barbara Hershey).
Some of Scorsese’s streetwise casting (Harvey Keitel, Harry Dean Stanton, David Bowie, Victor Argo, John Lurie, Andre Gregory, etc.) may seem a little out of place for Biblical times, but the director’s patience and intensity, and a deeply meditative score by Peter Gabriel keep things on a spiritual plane. The film was nominated for one lone Academy Award, Scorsese for Best Director, but lost to Rain Man; Scorsese would have to wait nearly 20 more years for his award.
Life of Brian
★★★★☆
On Netflix
Following their legendary Monty Python and the Holy Grail, Graham Chapman, John Cleese, Terry Gilliam, Eric Idle, Terry Jones, and Michael Palin re-teamed for the hilarious satire Life of Brian (1979). Chapman stars as Brian, who was born in Bethlehem in the stable next door to Jesus’s. As a young man, he hears the real Jesus speak and falls in love with Judith (Sue Jones-Davies). But, while repeating some of Jesus’s words as a distraction, he becomes mistaken as a real prophet and quickly amasses hundreds of followers, despite his protests.
It all comes down to the once-controversial crucifixion scene, featuring the classic song “Always Look on the Bright Side of Life.” (Legendarily, the film was briefly banned in Norway.) In all, the six actors are said to have played 40 parts; Palin plays Pontius Pilate, while Jones plays Brian’s mother and directed the film.
Mallrats
★★★☆☆
Rent from Amazon Prime, Vudu, iTunes… $2.99 and up
Kevin Smith’s second feature after his low-budget phenomenon Clerks initially suffered from “sophomore slump” syndrome, but it has since developed its own following. Suffering from girl problems, two friends (Jason Lee and Jeremy London), decide to spend the day at the local mall, where all kinds of trouble arises. In one unforgettable holiday scene, the stalwart Jay and Silent Bob (Jason Mewes and Smith) beat up the mall’s Easter Bunny!
Driven by wry, funny dialog, the visuals (and performances) are not exactly the strong suit of Mallrats (1995), but it’s funny enough to work. Ben Affleck, Shannen Doherty, Claire Forlani, Joey Lauren Adams, Ethan Suplee, and Michael Rooker co-star, with a now-legendary cameo by the late, great Stan Lee. See also: Bill & Ted’s Bogus Journey (1991) [Hoopla], wherein two other ne’er-do-wells wind up battling a demonic Easter Bunny in hell!
The Prince of Egypt
★★★★☆
On Hulu
Since Cecil B. DeMille’s The Ten Commandments is not available for streaming this year, the DreamWorks Animation feature The Prince of Egypt (1998) is a more than acceptable substitute. One of the few hand-drawn efforts (albeit with some computer-assisted backdrops) in the uneven DreamWorks canon, this movie is uncommonly beautiful, and surprisingly moving and exhilarating. It tells the familiar Passover story, from baby Moses being placed in a basket on the Nile to the parting of the Red Sea.
Few of the songs are memorable, except one fun one sung by Steve Martin and Martin Short as a pair of evil minion priests. Another tune, “When You Believe,” received an Oscar nomination, as did the entire score, by Stephen Schwartz and Hans Zimmer. Some of the great voice cast provided their own singing, including Ralph Fiennes as Rameses and Michelle Pfeiffer as Tzipporah. Val Kilmer provides the voice of Moses as well as the uncredited voice of God, and Sandra Bullock, Patrick Stewart, Helen Mirren, Jeff Goldblum, and Danny Glover are also heard.
Rebel Without a Cause
★★★★★
Rent from iTunes, Google Play, Vudu… $3.99 and up
The great director Nicholas Ray teams up with the great star James Dean for this beautiful, anguished melodrama that begins on Easter night. Jim (Dean), still dressed in his Easter best, has somehow left dinner and gone off to get drunk; he wanders the streets playing with a toy monkey. The troubled Jim is the new kid in town and immediately runs afoul of the law and local thugs, but he also connects with two other outcasts, Judy (Natalie Wood) and the meek, needy Plato (Sal Mineo), who latches onto the other two as if they were his surrogate parents.
Ray’s widescreen frame and bold colors—especially Jim’s heart-red jacket and the incredible planetarium sequence—bring out the characters’ wrenching emotions in a vivid and intense way. Jim Backus co-stars as Jim’s emasculated dad, wearing a frilly apron in one of his key scenes with Dean. “You’re tearing me apart!”
Rise of the Guardians
★★★★☆
Rent from Amazon Prime, Vudu, iTunes, Google Play… $3.99 and up
This slick, exciting computer-animated family movie, based on books by William Joyce, features Santa Claus as a main character, and it does make great Christmas viewing, but the story actually takes place at Easter, with Hugh Jackman voicing a scrappy, warrior Easter Bunny (with an Australian accent). Together with Santa (voiced by Alec Baldwin), the Tooth Fairy (voiced by Isla Fisher), the Sandman (who has no voice), and their newest recruit, the cocksure Jack Frost (voiced by Chris Pine), the super-hero like Guardians must stop the evil Pitch Black (voiced by Jude Law); he gains power when children no longer believe in their guardians.
Directed by Peter Ramsey—who went on to win an Oscar for the remarkable Spider-Man: Into the Spider-Verse—Rise of the Guardians (2012) is fast, fun, and perfectly paced at 97 minutes. The great cinematographer Roger Deakins served as an advisor on the film, helping with the lighting and textures of the images.
Who Framed Roger Rabbit
★★★★★
Rent from Amazon Prime, Vudu, iTunes, Google Play… $2.99 and up
Facebook has imposed a ban on a dozen far-right individuals and organisations that it says “spread hate”.
The ban includes the British National Party and Nick Griffin, the English Defence League and the National Front.
The list also includes Britain First, which was already banned, but this latest action will prohibit support for it on any of the US firm’s services.
It said it had taken the action because those involved had proclaimed a “violent or hateful mission”.
“Individuals and organisations who spread hate, or attack or call for the exclusion of others on the basis of who they are, have no place on Facebook,” the social network added in a statement.
The ban includes:
The British National Party and Nick Griffin
Britain First and Paul Golding and Jayda Fransen
English Defence League and Paul Ray
Knights Templar International and Jim Dowson
National Front and Tony Martin
Jack Renshaw, a neo-Nazi who plotted to murder a Labour MP
A spokesman for Facebook clarified what would now be done to the pages the groups and individuals had run on its site. All those named would be prevented from having a presence on any Facebook service.
In addition, praise and support for the groups or named individuals would no longer be allowed.
This action, he said, went further than the restrictions placed on Britain First last year when its official pages were removed for breaking the site’s community standards.
The latest move comes soon after Facebook said it would block “praise, support and representation of white nationalism and separatism” on the social site and Instagram.
Some far right figures, such as Tommy Robinson, are already subject to bans on the social network.
Although it was once common for companies to rely on intuition when making important decisions, many have since shifted to a more data-centric approach. A report by McKinsey & Company found that data-driven organizations are 23 times more likely to acquire customers, six times as likely to retain customers, and 19 times as likely to be profitable as a result. It’s no wonder companies are turning to data to make faster, more informed decisions.
It’s important for all teams to be data-driven, including those that work remotely. Although it may take some time for remote teams to adjust to a data mindset, the payoff is massive. Here’s how companies can enable remote teams to take a more data-centric approach.
Develop measurable goals
An extensive collection of data is meaningless unless companies know what they’re using it to measure or how it’s affecting company decisions overall. Before diving deep into data, it’s crucial to determine company-wide goals first as well as those specific to each department.
Companies should create a list of clearly defined goals, such as a revenue target, a growth metric, etc. Communicate these goals with the remote team to help ensure the entire company is on the same page. Consider how these goals align with the data being collected and how they may help shift priorities among the team.
Increase accountability
Shifting to a data-centric approach requires changes to the structure and organization of a remote team. The main idea behind a data-driven team is that all team members are accountable for the analytics related to their specific department. They must develop insight and actionable plans based on their data. For example, a digital marketer should be gathering data and analyzing metrics from their campaign performance to determine whether or not it’s working.
Update the responsibilities of each team member. Communication is key for remote teams to work effectively, so it’s imperative to spell out the responsibilities for each team member clearly. Schedule a call to discuss analytics tools and how this will impact each member of the team. This way, everyone knows what’s expected of them.
Moving to a data-centric approach does not mean making the remote team work certain hours. In fact, the opposite it true. Each team member is instead responsible for pushing the team towards a numeric goal. Remote team members usually have flexible work hours, which is fine, as long as they are accountable for their role in meeting goals.
Recognize contributions
Taking on a data-centric approach will lead to increased insights. Whether someone discovers a way to get more leads or finds a defect in the analytics system, find ways to recognize or reward team members.
For a remote team, company leaders can acknowledge contributions by sending out a special email or providing a spot bonus. Managers will have an easier time figuring out key players on the team, because the numbers will show it. Team leaders can then explain to the entire remote team how and why an employee stood out to encourage this type of work. While it may be easier to recognize a team member in-office, it’s vital to do so in a remote setting as well.
Encourage collaboration
Collaboration is a core value in data-driven companies. It’s critical to build a remote work culture that supports the ongoing sharing of information. Therefore, companies should make all appropriate data accessible to everyone on the team. Sharing data freely allows teams to rely on that data to make important decisions and increases performance at the individual and team level.
For example, many business decisions take place on Slack’s communication tool. Using Statsbot, an analytical bot that integrates with Slack, remote teams can work together and access data whenever they need it. Between these two tools, remote teams can find the information they need easily, and all team members can participate in the decision-making process. Remember to share data among the team safely. pCloud, for example, offers encrypted cloud storage for all files. Team members can also send secure messages using off-the-Record Messaging (OTR), a cryptographic protocol for instant messages.
It might be helpful to hold virtual meetings consistently where remote team members can share and discuss analytical findings, hypotheses they’ve tested, and insights. Sharing data and experiences can help other members on the team leverage valuable information in their own work.
No matter how accessible the data is, it won’t be beneficial if team members don’t use it to make decisions or don’t understand it. Start by investing in the appropriate data tools. Companies should choose tools based on their goals and how easy it is for remote teams to use them to access, share, and analyze data. Consider data systems that integrate with existing business tools, such as Excel or Oracle.
Once the right data tools are in place, it’s important to invest in training. Make sure team members understand the basics of data analysis, transformation, and visualization. They must understand the capabilities of each tool. Provide training for remote teams, such as online courses or video-based tutorials, so they have a full understanding of how to use them.
Act on data
Companies that turn data into actionable insights, known as insights-driven businesses, are achieving 30% growth every year. Although it sounds intuitive to act on data, many teams often collect and analyze data without ever using it to make important decisions. To truly create a data-driven remote team, companies must develop a culture where team members act on data collected. If a particular strategy isn’t working, team members should discontinue based on their data and focus their efforts on areas that are getting better results. Not using data to make informed decisions can be detrimental.
Shifting a remote team to a data-centric approach will not happen overnight. Remember to start small and be flexible as the team is likely to experience a learning curve with this change. Companies with remote teams that focus on collecting, analyzing, and using data to make important decisions will have many competitive advantages.